Previously on Makeover Monday, I showed you the beginnings of my Take Tango to Work (TTTW) wardrobe, thanks to a fantastic find at one of my favorite thrift shops. I also concluded that, to make my tango wardrobe work-appropriate (and vice-versa), I should focus on professional fabrics and colors, and wear them in tango-ready silhouettes. Now that I’ve started sewing a few things based on that general concept, today we’ll be talking about how to choose patterns for maximum garment versatility. And I’ll show you a fabulous skirt I’ve just made, in 2 outfit variations: Professional Lindy and Tango Lindy!
Since I’ve decided a new skirt is a top wardrobe priority, my first step was finding the right pattern. I was lucky enough to find this in my pattern collection:
Butterick 4859 skirt pattern. I made Version B. Sadly, this pattern is now out of print, but I found this one that’s similar (and still available): Vogue 7937.
Last week, when I was trying to plan a special holiday outfit, toying with various pieces of fabrics and patterns, I found myself in a familiar place of indecision. I had put together a selection of more or less coordinated fabrics from my over-abundant stash: I started with a gorgeous sequinned fabric with cutouts and a fabulous pointy border, which I thought would be most appropriate for a skirt, but this would necessitate some sort of lining. I came up with a tie-dyed georgette which looked wonderful under the sequins, but which was semi-sheer, so I found a bright coral satin for the undermost layer of what was now a 3-layer skirt.
(Those of you with sharp eyes and memories may recognize this satin from my recent post about making a skirt from a custom-fitted muslin; the satin lines that skirt. Good thing I like this stuff— even after making this second skirt, I still have a lot left over!)
Finally, I added a coral stretch velvet to make a simple top (with all that going on in the skirt, the top really needs to be simple). Here are the four fabrics:
Fabrics for my dancing outfit: The sequinned beauty with the tie-dyed georgette underneath and showing through the cutouts in the sequinned piece, and the satin underneath both (you can see a little of this by itself in the lower right corner). In the upper left corner is the stretch velvet.
Now that I’ve chosen the color palette for my Santa Fe travel mini-wardrobe, let me show you how that translates into fabric. (Yes, it’s true that I plan to sew most of this wardrobe, but stay tuned for the shopper’s version in my next post! I will also show you how I incorporated several items from my existing wardrobe into this travel collection.)
Remember my palette? Here it is again, below the fabrics (plus my turquoise necklace) with the palette colors: